NPR Music

All Songs Considered
4:03 am
Fri April 18, 2014

Drum Fill Friday, From Guest Quizmaster S. Carey

Sean Carey, who writes and records as S. Carey, performing live with Bon Iver.
Ollie Millington Redferns

This week's drum fills (and intros) were hand-selected, using only the finest ingredients, by Sean Carey. The former Bon Iver drummer, who writes and records as S. Carey, just released his second solo album, Range Of Light. I thought some of his picks for this week's puzzler were pretty challenging, but I managed to get three of the five right. See how you do!

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Music Reviews
1:57 pm
Thu April 17, 2014

A Duo's Debut Album: A Collaboration From 'The Both'

Transcript

DAVE DAVIES, HOST:

The Both is the name for the duo formed by veteran singer-songwriters Aimee Mann and Ted Leo. "The Both" is also the name of their debut album. The two began performing together in 2012, when Ted Leo was Mann's opening act. Mann began joining Leo onstage during his set. They liked the sound their voices together and started collaborating. Rock critic Ken Tucker has this review of "The Both."

(SOUNDBITE OF SONG, "THE GAMBLER")

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Music Reviews
1:23 pm
Thu April 17, 2014

Harmony-Loving Sisters Keep It Retro

The Secret Sisters' new album, backed by Jack White and produced by T-Bone Burnett, is called Put Your Needle Down.
Courtesy of Republic Records

Originally published on Thu April 17, 2014 5:06 pm

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All Songs Considered
12:39 pm
Thu April 17, 2014

The Good Listener: Does The World Still Need Cassettes?

We get a lot of mail at NPR Music, and amid the postage-paid crates we'll use to ship home the spring interns is a slew of smart questions about how music fits into our lives — and, this week, thoughts on cassette tapes and their utility in 2014.

Jennifer Spuehler writes via Facebook: "Will there be a place for cassette tapes in the future? What should I do with cassette tapes — especially those beloved mixtapes — that don't have a place to live anymore?

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Microphone Check
12:11 pm
Thu April 17, 2014

Jeremiah Jae And Oliver The 2nd: 'Take It Back To The Essence'

NPR

Jeremiah Jae and Oliver the 2nd are cousins who grew up in Chicago and Los Angeles, respectively. Already from a musical family — Oliver's father, Phil Perry, is a smooth jazz R&B singer and Jeremiah's played keys with Miles Davis and produced a few of his records — they have formed Black Jungle Squad, a collective of relatives and close friends. "Taking it back to the days when there was a lot more crews in hip-hop," says Jeremiah. "Like Native Tongues or Boogie Down Productions. Just the vibe of different people coming together and making stuff."

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Deceptive Cadence
11:32 am
Thu April 17, 2014

Classical Quartet Gets All Twisted

Look, Ma! Behind our backs!
Courtesy of the artists

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All Songs TV
9:36 am
Thu April 17, 2014

Eternal Summers, 'A Burial'

Eternal Summers, "A Burial"
Courtesy of the artist

Originally published on Thu April 17, 2014 11:38 am

The band's name tells you a lot about its sound. Eternal Summers make vibrant music. But as this video for "A Burial" unfolds, a darker side of this Roanoke, Va. band's song emerges.

The Record
9:07 am
Thu April 17, 2014

God, Drugs And Lizard Aliens: Yep, It's Country Music

Sturgill Simpson's second album, Metamodern Sounds In Country Music, takes inspiration from both Ray Charles and research into near-death experiences.
Crackerfarm Courtesy of the artist

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Mountain Stage
8:05 am
Thu April 17, 2014

Matrimony On Mountain Stage

Matrimony.
Brian Blauser Mountain Stage

Matrimony make their first appearance on Mountain Stage, recorded live at the Culture Center Theater in Charleston, W.Va.

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Deceptive Cadence
5:32 am
Thu April 17, 2014

A Visitor's Guide To Bach's 'St. Matthew Passion'

Johann Sebastian Bach's St. Matthew Passion was first heard on Good Friday, 1727 in Leipzig, Germany.
Getty Images

Originally published on Thu April 17, 2014 7:07 am

Johann Sebastian Bach wrote his St. Matthew Passion for a single purpose — to present the Passion story in music at Good Friday vesper services.

Bach's Passion continues to move audiences nearly three centuries after it was first heard in St. Thomas's Church in Leipzig, Germany. Standing as one of the pillars of Western sacred music, it is at once monumental and intimate, deeply sorrowful and powerful.

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