Ann Powers

Ann Powers is NPR Music's critic and correspondent. She writes for NPR's music news blog, The Record, and she can be heard on NPR's newsmagazines and music programs.

One of the nation's most notable music critics, Powers has been writing for The Record, NPR's blog about finding, making, buying, sharing and talking about music, since April 2011.

Powers served as chief pop music critic at the Los Angeles Times from 2006 until she joined NPR. Prior to the Los Angeles Times, she was senior critic at Blender and senior curator at Experience Music Project. From 1997 to 2001 Powers was a pop critic at The New York Times and before that worked as a senior editor at the Village Voice. Powers began her career working as an editor and columnist at San Francisco Weekly.

Her writing extends beyond blogs, magazines and newspapers. Powers co-wrote Tori Amos: Piece By Piece, with Amos, which was published in 2005. In 1999, Power's book Weird Like Us: My Bohemian America was published. She was the editor, with Evelyn McDonnell, of the 1995 book Rock She Wrote: Women Write About Rock, Rap, and Pop and the editor of Best Music Writing 2010.

After earning a Bachelor of Arts degree in creative writing from San Francisco State University, Powers went on to receive a Master of Arts degree in English from the University of California.

The Nashville instrumental group Steelism stands out for its ability to blend vintage styles — steel-guitar jazz, surf rock, the cool vibe of 1960s movie soundtracks — in ways that don't feel dated. Steelism's playfulness, embodied in the easy dialogues between guitarists Jeremy Fetzer and Spencer Cullum, Jr., freshens up everything its touches.

In 1989, the producer Don Was approached Neil Diamond about making a record. "'I called [him] and said, 'Neil, I think you're a rock 'n' roll artist, but you lost your way, and I know how to make it right,' " Was told a reporter in 2013. The two went into the studio but only ended up with one song that has been released. Was had discovered that Diamond was anything but lost.

The last short story Fyodor Dostoevsky wrote is about being seriously ridiculous. In "The Dream of a Ridiculous Man," an intellectual prone to existentialist despair is saved from suicide when, in a vision, he discovers a parallel planet where humanity has never sinned. "It was like being in love with each other, but an all-embracing, universal feeling," he tells the reader. This contact with Eden reinvigorates him, but then, during a playful moment, he teaches the planet's innocents how to deceive each other — and this leads to a catastrophic, Biblical fall.

The temptation when confronting a serious problem is to either cry it out or laugh it off. This is true in country music, as in life. Even the greatest songs about heavy subjects either diffuse the tension with jokes or go entirely maudlin, providing catharsis without true clarity. Angaleena Presley, though, tackles the hard stuff head on.

Roots, Plugged In

Sep 24, 2014

When I put Jonah Tolchin's performance at Third Man Records on my schedule for Americana Fest, the annual gathering of roots-minded musicians that took over Nashville last week, I thought I was going to see a young artist playing old-timey music. Earlier this year, the 22-year-old New Jerseyite released an album, Clover Lane, that gently ranges from countryish ballads to uptempo numbers with a country blues feel.

Leonard Cohen is not a man for manifestos. Peripatetic bohemian, Montreal native, Zen meditator, diaspora Jew: Rock's almost-octogenarian philosopher emeritus inhabits identities that are multiple, contested, and resistant to orthodoxy. He is, however, willing to lay some things on the line. "I'm slowing down the tune, I never liked it fast," he intones over a burlesque blues line in the first track on his 13th studio album, Popular Problems. "You want to get there soon; I want to get there last."

The Irish poet William Butler Yeats once famously evoked the drift of time through the image of old men gazing at their own watery reflections. "Everything alters, and one by one we drop away," Yeats' elders say as they themselves sit solidly at the shore.

To hear Ann Powers talk with NPR's Audie Cornish about some of the songs that might define the troubling summer of 2014, click the audio link on this page.