Frannie Kelley

Frannie Kelley is an Editor for NPR Music.

In this position, Kelley is responsible for editing, producing and reporting NPR Music's coverage of hip-hop, R&B and the ways the music industry affects the music we hear, on the radio and online. She is co-editor of NPR's music news blog, The Record, and co-host of NPR's rap interviews podcast, Microphone Check, with Ali Shaheed Muhammad.

Since joining NPR in September of 2007, Kelley has worked on a variety of projects including running a series on hip-hop in 1993 and overseeing a project on women musicians. She also ran another series on the end of the decade in music and web-produced the Arts Desk's series on vocalists, called 50 Great Voices. Most recently, her piece on Why You Should Listen to Odd Future was selected to be a part of the Best Music Writing 2012 Anthology.

Prior to joining NPR, Kelley worked in book publishing at Grove/Atlantic in a variety of positions from 2004 to 2007. She has a B.A. in Music Criticism from New York University.

It's fair to wonder why anybody would make an album today, much less a group of musicians who've proven themselves several times over. There isn't much money to be had, and what little there is can be got by other, less exhausting methods than touring to break new songs. Kool G Rap doesn't need to do this – everybody you respect wishes they could be like him when they grow up. Pharoahe Monch dropped an album this year that leveled whole tiers of his competition. AZ, when he cares to, rhymes circles around 99.99 % of the rapping population.

If this is the first time you're hearing of somebody called Your Old Droog, don't even trip. Some people know the name; those people spent the spring and summer speculating if an unknown entity who posted a better-than-it-should-be debut EP on Soundcloud was in fact Nas, our (hip-hop's) Jeff Buckley, minus the tragedy.

T-Pain's fingerprints are all over pop and R&B and hip-hop. He wasn't the first musician to use Auto-Tune as an instrument — he noticed it on a Jennifer Lopez remix, and remembers "Deep" well — but it was, as he says, his style. For a while, in the mid-2000s, he lived at the top of the charts. He dominated that brief moment of our lives when ringtones were a thing.

On Sunday, Sept. 14, 20 years and one day after Biggie Smalls' debut album, Ready to Die, was released, Microphone Check gathered four of the musician's friends in Brooklyn to recall the man they knew.

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