Frannie Kelley

Frannie Kelley is co-host of the Microphone Check podcast with Ali Shaheed Muhammad.

Prior to hosting Microphone Check, Kelley was an editor at NPR Music. She was responsible for editing, producing and reporting NPR Music's coverage of hip-hop, R&B and the ways the music industry affects the music we hear, on the radio and online. She was also co-editor of NPR's music news blog, The Record.

Kelley worked at NPR from 2007 until 2016. Her projects included a series on hip-hop in 1993 and overseeing a feature on women musicians. She also ran another series on the end of the decade in music and web-produced the Arts Desk's series on vocalists, called 50 Great Voices. Most recently, her piece on Why You Should Listen to Odd Future was selected to be a part of the Best Music Writing 2012 Anthology.

Prior to joining NPR, Kelley worked in book publishing at Grove/Atlantic in a variety of positions from 2004 to 2007. She has a B.A. in Music Criticism from New York University.

This summer Nas is traveling the world performing his debut album, Illmatic, in full. The crowds coming out to see him — in Texas, Germany and California — are turning up because the 20-year-old record is an acknowledged classic.

In the early '90s hip-hop was just beginning its takeover of popular music. It was landing on the charts, but more often than not, the songs there were novelties (see: MC Hammer, Vanilla Ice).

For the people who took hip-hop seriously, and especially the fans in rap's hometown of New York City, this was a problem.

Within Black Hippy, the Los Angeles-based crew consisting of Kendrick Lamar, Jay Rock and Ab-Soul, ScHoolboy Q is the fun-loving middle child who taunts you with a straight face but can't always help cracking a smile. He's a wildcard who put out two highly-regarded independent albums and has become a reliable source for bracing guest spots. Sometimes he's incisive, sometimes he's callous. He's always charismatic and perceptive and forthright.

During the reporting of our story about the legacy of Comin' Out Hard in Memphis rap, we spent time in the city with MJG, Young Dolph and Drumma Boy. We met Yo Gotti in New York and got Eightball in a studio in Atlanta. We didn't have enough time to talk to everybody who's made Memphis rap what it is, like Gangsta Boo, or DJ Paul, Juicy J, Project Pat, or even Gangsta Pat.

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