Ashland Review

photo Jenny Graham

Dorothy Velasco has this review of "The Yeomen of the Guard" at the Oregon Shakespeare Festival in Ashland.

photo Jenny Graham

“Great Expectations” by Charles Dickens is a grand novel. And it grandly fills the stage of the Bowmer Theatre at the Oregon Shakespeare Festival.

photo Jenny Graham

Shakespeare’s much loved comedy, “Twelfth Night,” is a joyful choice for the new season at the Oregon Shakespeare Festival.
According to director Christopher Liam Moore, joyful is the operating word for the play. It begins with a shipwreck and the presumed death of Viola’s brother Sebastian.

Jennie Graham

Who would have dreamed that a theater company in remote Ashland, Oregon, so far from New York, would be sending shows to Broadway and major theaters across the country?
The Oregon Shakespeare Festival, now in its 81st year, is renowned for producing not only all of Shakespeare’s plays, but for developing new works that will likely stand the test of time.
One of those new plays is “The River Bride” by young poet-playwright Marisela Treviño Orta. This enchanting fairy tale inspired by Brazilian folklore takes place in a small village on the Amazon.

Jenny Graham / Oregon Shakespeare Festival

It’s been a smoky summer in the Pacific Northwest. Wildfires have communities from Eastern Washington to Northern California gasping through days and weeks of poor air quality.

In Ashland, home of the Oregon Shakespeare Festival, the “show-must-go-on” mantra of the theater has given way to continuous air quality checks and tough show-time decisions.

Photo Jenny Graham

The last play to open at the Oregon Shakespeare Festival this season is one of the very best. “Sweat,” a deeply satisfying new work by Pulitzer Prize winner Lynn Nottage, was commissioned as part of the Festival’s United States History Cycle.

Photo Jenny Graham

“The Happiest Song Plays Last,” now at the Oregon Shakespeare Festival’s Thomas Theatre, is part three of a trilogy by Quiara Alegria Hudes. Last year the Festival presented part two, “Water by the Spoonful,” directed, like this play, by Shishir Kurup.
The author, inspired by her cousin Elliot, the youngest Marine to be deployed to Iraq, has stitched his story to others, creating a colorful quilt of present-day issues.

photo Jenny Graham

Take two plays, one an ancient farce and the other a modern tale of lost love. Accidentally schedule them for a dress rehearsal on the same stage at the same time, and you have the starting point for “Secret Love in Peach Blossom Land,” now playing at the Oregon Shakespeare Festival.

photo Jenny Graham

“Antony and Cleopatra,” now playing at the Oregon Shakespeare Festival, is one of Shakespeare’s most confounding plays. Directors have a hard time deciding what it is. Battles, politics, lust, suicides, a little comedy, and a lot of short scenes alternating between Egypt and Rome.

photo Jenny Graham

“Long Day’s Journey into Night,” Eugene O’Neill’s gut-wrenching family drama, is playing in a superlative production at the Oregon Shakespeare Festival’s Thomas Theatre.
When O’Neill fashioned this play based on his miserable youth, he stipulated it could not be published until 25 years after his death, and never be performed. But after he died in 1953 his widow soon had it produced on Broadway, and it earned Pulitzer and Tony Awards.

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