Ashland Review

Photo by Jenny Graham

Guilt, anger, revenge. Riotous hilarity, mortal enemies, Falstaff bigger than life, Prince Hal in a hoody. Yes, it’s “Henry IV, Part One” at the Oregon Shakespeare Festival’s intimate Thomas Theatre, to be followed in the summer by “Part Two.”

As directed by Lileana Blain-Cruz, Shakespeare’s great history play, peppered with surprises, is staged in the round and set in modern times. We can almost reach out and touch the actors, and the actors certainly touch us with their electrifying emotions.

Jenny Graham / Oregon Shakespeare Festival

President Trump is weighing deep cuts in his budget plan, including all funding for the National Endowment for the Arts (NEA).  A major theater group in Oregon fears that could affect children’s access to one of history’s greatest playwrights. KLCC’s Brian Bull reports.

Photo by Jenny Graham

In “Mojada, A Medea in Los Angeles,” playwright Luis Alfaro manages an impressive feat, melding a Greek tragedy with a heartbreaking story of Mexican immigrants.

Now playing at the Oregon Shakespeare Festival, with sensitive direction by Juliette Carrillo, this play follows the life of Medea, a young indigenous woman from Michoacán now residing in Los Angeles with her beloved Jason, pronounced Ha-sohn, their son Acan, and Tita, an old family friend. All are mojados, wetbacks, illegal.

Photo by Jenny Graham

When I studied Shakespeare’s “Julius Caesar” in high school it seemed like ancient history having nothing to do with me. Well, now it’s ancient history that relates perfectly to our times.

  Dorothy Velasco reviews the Oregon Shakespeare Festival's Timon of Athens and the controversial Play On! Project, which aims to translate Shakespeare into modern language. 

  Dorothy Velasco reviews the Oregon Shakespeare Festival's productions of Richard II and The Winter's Tale.

photo: Jennie Graham

“The Wiz,” a surprise Broadway hit over 40 years ago, has now landed on the outdoor stage at Ashland’s Allen Theatre. This funky black version of “The Wizard of Oz” won a Tony for best musical, but “Hamilton” it’s not.

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